Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Practice, Practice, Practice is what Richard Bradley did before he took down the Confederate flag at City Hall in San Francisco during the mayoral term of the late Senator Dianne Feinstein.

Practice, Practice, Practice is what Richard Bradley did before he took down the Confederate flag at City Hall in San Francisco during the mayoral term of the late Senator Dianne Feinstein.

An overworked woman tries to improve her standing with men using a self-help video.

A family comedy set in Manchester. Will Mellor and Niky Wardley play parents who are young and vibrant, as much in love with life as they are with each other and their kids.

Jackie wears a motion capture suit for 30 days and has her every move recorded in exchange for $25,000.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Extrovert Corinne convinces Jane, a shy, talented baker, to commit to a year of bringing cakes to bars, to help her meet people and build confidence. But when Corinne receives a life-altering diagnosis, the pair faces a challenge unlike anything they've experienced before.

Lena and her daughter move to a new town where she meets Michael, the man of her dreams. Little does she know he's hiding some very dark secrets. And after her new friends disappear one by one, Lena must unravel the mystery of her missing friends before it's too late.